Course Information

Course Name	Turkish	Elektronikler ve Çalgılar için Karma Bestecilik
	English	Mixed Compo.for Instr.&Electr.
Course Code	MYE 5033E	Credit	Lecture (hour/week)	Recitation (hour/week)	Laboratory (hour/week)
Semester	-	3	3	-	-
Course Language		English
Course Coordinator		Emmanouıl Ekmektsoglou
Course Objectives		1. To learn and practice common approaches to performer computer interaction through class workshops with performing musicians, 2. To develop an awareness of historical approaches to mixed composition through reading and listening assignments, 3. To learn programming skills required for musical event detection and score following through a series of programming assignments, 4. To understand the differences between instrumental and electroacoustic sound in terms of spectrum and diffusion characteristics as well as audio-visual perception, and to learn strategies for balancing the demands of different physical sound producing mechanisms, 5. To learn notational practices common to mixed composition,
Course Description		A survey of techniques and approaches to composing mixed works for traditional musical instruments and computer generated sound, Necessary skills and conventions in programming related to score following and performance tracking, specialised graphical music notation conventions for mixed electroacoustic works, An overview of repertoire and approaches to mixed composition since 1960,
Course Outcomes		1, Having the necessary programming skills to design customised interactive performance tools, 2, Being able to balance the differing timbral and spatial characteristics of acoustically and electronically generated sound, 3, Gaining the ability to create effective musical scores for mixed electroacoustic works, based on the knowledge of notational conventions 4, Acquiring the ability to identify and to discuss stylistic conventions of core repertoire of mixed electroacoustic music, 5, Gaining the ability to specify and install electro-acoustic performance systems incorporating multi-channel speaker arrays and live audio input from musical instruments with the capacity for real time digital processing,
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