Course Name
|
Turkish |
Dünya Müzikleri
|
| English |
Musics of the World |
Course Code
|
MYE 504E |
Credit |
Lecture
(hour/week) |
Recitation
(hour/week) |
Laboratory
(hour/week) |
| Semester |
-
|
3 |
- |
- |
- |
| Course Language |
English |
| Course Coordinator |
Wıllıam Sumıts
|
| Course Objectives |
1, To introduce the sonic diversity of the world’s musics,
2, To analyze and compare the different roles music plays cross-culturally,
3, To acquire critical listening skills in order to recognize musics from different
geographical regions,
|
| Course Description |
Introduction to world musics, North America, native American music, jazz, music of Africa, music of East Asia, field research techniques, musics of South and Southeast Asia, music of the Middle East, cultural intersections, musics of the Caribbeans, Latin America and Oceania,
|
| Course Outcomes |
|
| Pre-requisite(s) |
|
| Required Facilities |
|
| Other |
|
| Textbook |
Miller, Terry. "The Classical Musics of Cambodia and Thailand: A Study of
Distinctions.” Ethnomusicology, Vol. 39: No. 2, Spring/Summer 1995,
pp. 229-243.
Miller, Terry. “From Country Hick to Rural Hip: A New Identity through Music for
Northeast Thailand.” Asian Music, Vol. 36: No. 2, Summer-Autumn 2005, pp.
96-106.
Baily, John. “Amin-e Diwaneh: The Musician as Madman.” Popular Music, Vol. 7: No.2,
May 1988, pp. 133-146.
Baily, John. “Professional and Amateur Musicians in Afghanistan.” The World of
Music, Vol. 21: No.2, 1979, pp. 46-64.
Ayyagari, Shalini. “Spaces Betwixt and Between: Musical Borderlands and the
Manganiyar Musicians of Rajasthan.” Asian Music, Vol 43: No. 1,
Winter/Spring 2012, pp. 3-33.
Manuel, Peter. “The Intermediate Sphere in North Indian Music Culture: Between
and Beyond ‘Folk’ and ‘Classical’.” Ethnomusicology, Vol. 59: No. 1, Winter
2015, pp. 82-115.
Stewart, Alexander. “Make It Funky: Fela Kuti, James Brown and the Invention of
Afrobeat.” American Studies, Vol. 52: No. 4, 2013, pp. 99-118.
Levin, Theodore. “Introduction to the Music of Central Asia.” The Music of Central
Asia, edited by Theodore Levin and Elmira Kochumkulova, Indiana University
Press, 2016.
Lucas, Ann. “Understanding Iran Through Music: A New Approach.” Middle East
Studies Association Bulletin, Vol. 40: No. 1, June 2006, pp. 79-89.
Kiel, Hilda. “Travel on a Song: The Roots of Zanzibar Taraab.” African Music, Vol. 9:
No. 2, 2012, pp. 77-93.
Ulaby, Laith. “On the Decks of Dhows: Musical Traditions of Oman and the Indian
Ocean World.” The World of Music, Vol. 1: No. 2, 2012, pp. 43-62.
Swedenburg, Ted. “Egypt’s Music of Protest: From Sayyid Darwish to DJ Haha.”
Middle East Report, No. 265, Winter 2012, pp. 39-43.
Peterson, Jennifer. “Sampling Folklore: the re-popularization of Sufi inshad in Egyptian dance music.” Arab Media & Society (January 2008): 3-24.
Miles, Elizabeth J. And Loren Chuse. “Spain.” In Garland Encyclopedia of World Music Volume 8 – Europe, edited by Timothy Rice, James Porter, and Chris Goertzen, pp. 588-603. New York: Garland Publishing, 2000.
Gray, Lila Ellen. “Memories of Empire, Mythologies of the Soul: Fado Performance and the Shaping of Saudade.” Ethnomusicology, Vol. 51, No. 1 (Winter 2007): 106-130.
Galinsky, Philip. “Co-option, Cultural Resistance, and Afro-Brazilian Identity: A History of the ‘Pagode’ Samba Movement in Rio de Janeiro.” Latin American Music Review, Vol. 17, No. 2 (Autumn-Winter, 1996): 120-149.
Hagedorn, Katherine. “Bringing Down the Santo: An Analysis of Possession Performance in Afro-Cuban Santeria.” The World of Music, Vol. 42, No. 2, Spirit Practices in a Global Ecumene (2000): 99-113.
Bullen, Margaret. “Chicha in the Shanty Towns of Arquipa, Peru.” Popular Music, Vol. 12, No. 3 (October 1993): 229-244.
Wade, Peter. “African Diaspora and Colombian Popular Music in the Twentieth Century.” Black Music Research Journal Vol. 28, No. 2 (Fall, 2008): 41-56.
Smith, Ayana. “Blues, Criticism, and the Signifying Trickster.” Popular Music Vol. 24, No. 2, Literature and Music (May 2005): 179-191.
Minton, John. “Houston Creoles and Zydeco: The Emergence of an African American Urban Popular Style.” American Music, Vol. 14, No. 4 New Perspectives on the Blues (Winter 1996): 480-526.
Walker, Marilyn. “Music as Knowledge in Shamanism and Other Healing Traditions of Siberia.” Arctic Anthropology, Vol. 40, No. 2 (2003): 40-48.
Hodgkinson, Tim. “Musicians, Carvers, Shamans.” Cambridge Journal of Anthropology, Vol. 25, No. 3 (2005/2006): 1-16. |
| Other References |
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