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Course Information

Course Name
Turkish Sinema Sanatı
English Film Art
Course Code
SNT 105E Credit Lecture
Semester -
3 3 - -
Course Language English
Course Coordinator Kağan Demirdöven
Kağan Demirdöven
Course Objectives City and Cinema relation in the Film Art
Course Description City and Cinema relation in the Film Art
Course Outcomes
Required Facilities
Other Ann Hui. The Boat People (Touben nuhai, 1982)
—— Summer Snow (Nuren shishi, 1995)
John Huston. The Maltese Falcon (1941)
Boris Ingster. The Stranger on the Third Floor (1940)
Etang Inyang. Badass Supermama (1996)
Isaac Julien. Looking for Langston (1988)
Wong Kar-wei. Chungking Express (Conqing senlin, 1994)
—— Happy Together (Cheun gwong tsa sit, 1997)
Mathieu Kassovitz. Café au Lait (Mélisse, 1993)
—— Hate (La Haine, 1995)
Cédric Klapisch. Euro Pudding (L’auberge espangnol, 2002)
Gerhard Klein. A Berlin Romance (Eine Berliner Romanze, 1956).
—— Berlin – Schönhauser Corner (Berlin – Ecke Schönhauser, 1957)
Stanley Kwan. Rouge (Yin ji kan, 1987).
—— Hold Me Tight (Yue Kuaile yue duoluo, 1998)
Ernst Laemmle. The Devil’s Reporter: In the Fog of the City (1929)
Ringo Lam. City on Fire (Lung fu fong wau, 1987)
—— Prison on Fire 1 (1987)
—— School on Fire (1988)
—— Prison on Fire 2 (1991)
Gerhard Lamprecht. Somewhere in Berlin (Irgendwo in Berlin, 1946)
Fritz Lang. Metropolis (1927)
—— M (1931)
—— Hangmen Also Die! (1943)
—— Ministry of Fear (1944)
—— Scarlet Street (1945)
—— The Big Heat (1953)
Bruce Lee. Way of the Dragon (1972)
Malcolm D. Lee. Undercover Brother (2002)
Mitchell Leisen. Midnight (1939)
Dani Levy. I Was on Mars (1992)
Jennie Livingston. Paris Is Burning (1990)
Wei Lo. Fist of Fury (Jing wu men, 1972)
Ernst Lubitsch. To Be or Not to Be (1942)
—— Bluebeard’s Eighth Wife (1938)
Louis and Auguste Lumière. Launching of a Boat (1890)
—— The Arrival of a Train at La Ciotat Station (L’arrivée d’un train en gare de la
Ciotat, 1895)
—— Exiting The Factory (La Sortie des usines Lumière, 1895)
Kurt Maetzig. The Story of a Young Couple (Roman einer jungen Ehe, 1952)
Luigi Maggi. The Count of Montecristo (1908)
Mohsen Makhmalbaf. Kandahar (Safar e Ghandehar, 2001)
Anthony Mann. T-Men (1947)
Michael Mann. Heat (1995)
Joseph P. Mawra. Chained Girls (1965)
Joe May. Asphalt (1929)
—— Music in the Air (1934)
Fernando Meirelles. City of God (2002)
Jean-Pierre Melville. The Forgiven Sinner (Léon Morin, prêtre, 1961)
—— Doulos: The Finger Man (Le Doulos, 1963).
William Cameron Menzies. Things to Come (1936)
Benny Chan Muk-sing and Jackie Chan. Who Am I? (1998)
Ángel Muñiz. Nueba Yol (1995)
F.W. Murnau. The Last Laugh (Der letzle Mann, 1924)
Mira Nair. Salaam Bombay! (1988)
Takehiro Nakajima. Okoge (1992)
Damien O’Donnell. East Is East (1999)
Richard Oswald. Different from the Others (Anders als die Anderen, 1919)
Ali Özgentürk. The Horse (At, 1982)
G.W. Pabst. Joyless Street (Die freudlose Gasse,1925)
Euzhan Palcy. Sugarcane Alley (Rue cases nègres, 1983)
Brian De Palma. Dressed To Kill (1980)
—— Scarface (1983)
Gordon Parks. Shaft (1971)
Pier Paolo Pasolini. Accattone (1961)
—— Mamma Roma (1962)
Robert William Paul. The Last Days of Pompeii (1897)
—— Come Along, Do! (1898)
—— The Haunted Curiosity Shop (1901)
——The ? Motorist (1906)
—— A Tour Through Spain And Portugal (n.d.)
Raoul Peck. Profit And Nothing But! Or Impolite Thoughts on the Class Struggle (2001)
Mario Van Peebles. New Jack City (1991)
—— Sweet Sweetback’s Baadasssss Song (1971)
Arthur Penn. Bonnie and Clyde (1967)
Gillo Pontecorvo. Battle of Algiers (La Battaglia di Algeri, 1966)
Edwin S. Porter. Kansas Saloon Smashers (1901)
—— Terrrible Teddy, The Grizzly King (1901)
—— The Great Train Robbery (1903)
Lordes Portilla. Senorita Extraviada (2001)
Alexis Proyas. Dark City (1998)
Sam Rami. Spiderman (2002)
Brett Ratner. Rush Hour (1998)
—— Rush Hour 2 (2001)
Carol Reed. The Third Man (1949)
Matty Rich. Straight out of Brooklyn (1991)
Leni Riefenstahl. Triumph of the Will (Triumph des Willens, 1935)
Rintaro. Osamu Tezuka’s Metropolis (Metoroporisu, 2001)
Martin Ritt. The Spy Who Came in from The Cold (1965)
Jacques Rivette. Paris Belongs to Us (Paris nous appartient, 1959)
Mark Robson. The Harder They Fall (1956)
George A. Romero. Dawn of the Dead (1978)
Roberto Rossillini. Germany Year Zero (Germania Anno Zero, 1948)
Jean Rouch and Edgar Morin. Chronicle of a Summer (Chronique d’un été, 1961)
Russell Rouse. D.O.A. (1950)
Josef Rusnak. The Thirteenth Floor (1999)
Walter (also known as Walther) Ruttmann. Berlin: Symphony of a Great City (Berlin:
Die Symphonie der Großstadt, 1927)
Leontine Sagan. Girls in Uniform (Mädchen in Uniform, 1931)
John Schlesinger. Midnight Cowboy (1969)
Hans-Christian Schmid. Lights (Lichter, 2003)
Martin Scorsese. Who’s That Knocking on my Door? (1968)
Ridley Scott. Blade Runner (1982)
Jim Sheridan. The Boxer (1997)
—— Get Rich or Die Tryin’ (2005)
John Singleton. Boyz N the Hood (1991)
Robert Siodmark, Edgar Ulmer, and Billy Wilder. People on Sunday (Menschen am
Sonntag, 1929)
—— Phantom Lady (1944)
—— Criss Cross (1949)
Jack Snyder. Dawn of the Dead (2004)
Wolfgang Staudte. The Murderers Are among Us (Die Mörder sind unter uns, 1946)
Robert A. Stemmle. The Ballad of Berlin (Berliner Ballade, 1948)
Josef von Sternberg. The Blue Angel (Der blaue Engel, 1930)
A. Edward Sutherland. Champagne Waltz (1937)
Mak Tai-wai. The Wicked City (Yaoshou Dushi, 1992)
Quentin Tarantino. Jackie Brown (1997)
Lars van Trier. Europa (Zentropa, 1991)
François Truffaut. The 400 Blows (Les quatre cents coups, 1959)
—— Shoot the Piano Player (Tirez sure le pianiste, 1960)
—— Antoine and Colette (Antoine et Colette, 1962)
—— Jules and Jim (Jules et Jim, 1962)
—— Stolen Kisses (Baisers volés, 1968)
—— Bed and Board (Domicile conjugal, 1970)
—— Love on the Run (L’amour en fuite, 1978)
Stanley Tong. Rumble in the Bronx (1995)
Monika Treut. Virgin Machine (Die Jungfrauenmaschine, 1988)
—— My Father Is Coming (1991)
Eric Tsang. Aces Go Places (Zuijia Paidang, 1982)
Hdeng Tsu. Rumble in Hong Kong (Nui ging chaat, 1974)
Agnès Varda. Cléo from 5 to 7 (Cléo de 5 à 7, 1962)
Andy Wachowski and Larry Wachowski. The Matrix (1999)
Raoul Walsh. White Heat (1949)
Li Min Wei. Rouge (1923)
Peter Weir. The Truman Show (1998)
James H. White. Black Diamond Express (1896)
Robert Wiene. The Cabinet of Dr Caligari (Das Kabinett des Dr Caligari, 1919)
Billy Wilder. The Major and The Minor (1942)
—— Double Indemnity (1944)
—— Sunset Boulevard (1950)
—— The Seven-Year Itch (1955)
Todd Williams. Friendly Fire: Making An Urban Legend (2003)
Terence H. Winkless. The Berlin Conspiracy (1992)
Doris Wishman. Bad Girls Go to Hell (1965)
John Woo. A Better Tomorrow (Ying hung boon sik,1986)
—— The Killer (Dip hyut shueng hung, 1989)
—— Hard-Boiled (Laat sau sen taan, 1992)
Woo-ping Yuen. Drunken Master (Jui Kuen,1978)
Yu lik-wai. Love Will Tear Us Apart (Tian shang ren jian, 1999)
Other References Feinstein, H. (1964) “An Interview with Jean-Luc Godard,” Film Quarterly 17 (3): 8–10.
Fischer, L. (1998) Sunrise: A Song of Two Humans, London: British Film Institute.
Fisher, J. (2005) “Wandering in/to the Rubble-Film: Filmic Flânerie and the Exploded
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Flitterman-Lewis, S. (1996) To Desire Differently: Feminism and the French Cinema,
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Forbes, J. (1992) The Cinema in France: After the New Wave, London: British Film
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Frisby, D. (2001) Cityscapes of Modernity: Critical Explorations, Cambridge, MA:
Polity Press.
Fritzsche, P. (1996) Reading Berlin 1900, Cambridge, MA: Harvard University Press.
Garland, D. (2001) The Culture of Control: Crime and Social Order in Contemporary
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Gleber, A. (1997). “Female Flânerie and the Symphony of the City,” in K. von Ankum
(ed.) Women in the Metropolis: Gender and Modernity in Weimar Culture, Berkeley:
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—— (1999) The Art of Taking a Walk: Flânerie, Literature, and Film in Weimar Culture,
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Gever, M., J. Greyson, and P. Parmar (eds) (1993) Queer Looks: Perspectives on Lesbian
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Greene, G. (1968, 1988) The Third Man, London: Faber & Faber.
Greene, N. (2004) “Representations 1960–2004. Parisian Images and National
Transformations,” in M. Temple and M. Witt (eds) The French Cinema Book, London:
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